Personalizar las preferencias de consentimiento

Usamos cookies para ayudarle a navegar de manera eficiente y realizar ciertas funciones. Encontrará información detallada sobre cada una de las cookies bajo cada categoría de consentimiento a continuación.

Las cookies categorizadas como “Necesarias” se guardan en su navegador, ya que son esenciales para permitir las funcionalidades básicas del sitio web.... 

Siempre activas

Las cookies necesarias son cruciales para las funciones básicas del sitio web y el sitio web no funcionará de la forma prevista sin ellas. Estas cookies no almacenan ningún dato de identificación personal.

No hay cookies para mostrar.

Las cookies funcionales ayudan a realizar ciertas funcionalidades, como compartir el contenido del sitio web en plataformas de redes sociales, recopilar comentarios y otras características de terceros.

No hay cookies para mostrar.

Las cookies analíticas se utilizan para comprender cómo interactúan los visitantes con el sitio web. Estas cookies ayudan a proporcionar información sobre métricas el número de visitantes, el porcentaje de rebote, la fuente de tráfico, etc.

No hay cookies para mostrar.

Las cookies de rendimiento se utilizan para comprender y analizar los índices de rendimiento clave del sitio web, lo que ayuda a proporcionar una mejor experiencia de usuario para los visitantes.

No hay cookies para mostrar.

Las cookies publicitarias se utilizan para entregar a los visitantes anuncios personalizados basados ​​en las páginas que visitaron antes y analizar la efectividad de la campaña publicitaria.

No hay cookies para mostrar.

Jaime Zapata

Zapata is a figurative painter, committed to realistic techniques. He is the author of the only oil canvas that portrays Chimbacalle—his childhood neighborhood in southern Quito—and many other canvases that, through classical techniques, attempt to depict what has not been previously portrayed in painting: everyday life.

Jaime Zapata cv (CLICK TO DOWNLOAD)

b. 1957 in Quito, Ecuador

Jaime Zapata lives and works between Paris and Quito. His work appears as unique in the Latin American media characterized by an outrageous modernist or indigenous production. 

Zapata is a figurative painter, attached to the realist technique, author of the only oil canvas that portrays Chimbacalle—his childhood neighborhood in the south of Quito—and many other canvases that, using a classical technique, try to tell what has not been told before in painting: the daily life of the Quito middle classes between the 1970s and 90s. 

After he got  established in Paris at the end of the eighties, this took a new dimension: the appearance of a tormented subjectivity that produces beautiful neurotic canvases and later, chromatic and material explosions of a shocking sensuality and darkness.

Works

Margoth en Azul, 2017

Oil on canvas
50 × 40 cm
19 7/10 × 15 7/10 in

General, 1991

Oil on canvas
110 × 91 cm
43 3/10 × 35 4/5 in

La Comédie, 2022

Oil on canvas
208 × 235 cm
81 9/10 × 92 1/2 in

Rimbaud, 2022

Acrylic on canvas
187 × 235 cm
73 3/5 × 92 1/2 in
Insoportable-1

Insoportable, 2005

Acrylic on cardboard
65 × 50 cm
25 3/5 × 19 7/10 in

Migrante, 2000

Oil on Canvas
50 × 42 cm
19 7/10 × 16 1/2 in

PROARTE EXHIBITION

Lorem Ipsum

Rebecca Ackroyd

The exhibition, held at the Guayaquil Country Club, interpreted and translated into painting a reality of bones, flesh, and skin, revealing human beings constructed from the magical, the mundane, the technological, and the mechanical. It showcased how contemporary humanity is a product devoured and reconstructed from the remnants of modernity.

Lorem Ipsum

Rebecca Ackroyd

The exhibition “Feminitas,” held at the Museum of America in Madrid, Spain, interpreted femininity from three Ecuadorian perspectives, showcasing the idealization, divinization, and sexualization of women throughout art history. It highlighted the diversity of styles and approaches that incorporate indigenous and traditional elements.

MORE ARTISTS