Marco Morocho

Marco Morocho addresses the genre of landscape based on the idea of the interstice, that intermediate space from which he dialogues elements, narratives, and concerns about the post-apocalyptic notion, and from where he approaches atmospheres that reveal the traces of the subject or the consequences of the continuous becoming. His scenarios, elements, and narratives unfold in fictional situations, generating strange and ambiguous atmospheres.

Marco Morocho cv (CLIC PARA DESCARGAR)

b. 1994 in Machala, El Oro, Ecuador

Bachelor’s Degree in Visual Arts

Marco Antonio Morocho Capa, born on August 16, 1994, in Machala, El Oro, Ecuador, studied secondary education at the “El Oro” Technological Institute. His passion for technical drawing led him to pursue a career in his field of interest. He moved to Guayaquil to study at the Higher Technological Institute of Arts of Ecuador (ITAE).

In 2014, he began studying Visual Arts at ITAE until its merger with the University of the Arts, where he obtained a Bachelor’s degree in Visual Arts.

He has been part of the VI International Biennial of Painting Álvaro Noboa Pontón, the Machala Ninth and Tenth Edition Salon, as well as the 62nd Edition of the October Salon.

He has participated in collective exhibitions at ITAE and the University of the Arts, highlighting the collective exhibition titled AJÍ at the DPM Gallery in Guayaquil.
In early 2019, Morocho had his first solo show called IN MEDIA RES, and subsequently in August of the same year, his personal exhibition of the Graduation Project, titled SOLAR. In 2022, he presented his solo exhibition titled Suelo, Subsuelo, Estela; at the NASAL gallery in Guayaquil, and at the end of the same year, he participated in collective exhibitions such as For Kids and El Retiniano.

His work addresses the genre of landscape in terms of the idea of the interstice, that intermediate space from which he dialogues elements, narratives, and concerns about the post-apocalyptic notion, and from where he approaches atmospheres that evidence the traces of the subject or the consequences of the continuous becoming, whose scenarios, elements, and narratives unfold in fictional situations generating strange and ambiguous atmospheres.

Works

Naufragio de Utopías, 2023

Acrylic, crayon, and marker on canvas
125 × 180 cm
49 1/5 × 70 9/10 in
2100 USD

Coalición, 2022

Acrylic on canvas
60 × 95 cm
23 3/5 × 37 2/5 in
800 USD

El Último Monumento, 2022

Acrylic and metallic paper on canvas
180 × 290 cm
70 9/10 × 114 1/5 in
4200 USD

Deslave, 2022

Acrylic on canvas
70 × 60 cm
27 3/5 × 23 3/5 in
600 USD

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